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Post by Augustine Leudar on Apr 15, 2010 4:41:12 GMT -5
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Post by relliknissassa on Feb 27, 2012 14:14:02 GMT -5
Modern symphonies are meant to be listened to by musicians and artists with the intellectual capacity to hear every sound and dissect each layer. That's a huge part of the enjoyment of that style of music. If people can't understand it, they have 2 options: 1. Practice this by listening more and really coming to understand what is happening. 2. Don't listen. I teach theory on this in my presentation "Experimental: Growing Electronic....." EXPERIMENTAL: Growing Electronic ... by RELLIK NISSASSA — Kickstarter |
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Post by Augustine Leudar on Apr 8, 2012 7:01:26 GMT -5
Modern symphonies are meant to be listened to by musicians and artists with the intellectual capacity to hear every sound and dissect each layer. That's a huge part of the enjoyment of that style of music. If people can't understand it, they have 2 options: 1. Practice this by listening more and really coming to understand what is happening. 2. Don't listen. I teach theory on this in my presentation "Experimental: Growing Electronic....." EXPERIMENTAL: Growing Electronic ... by RELLIK NISSASSA — KickstarterEscept some of people who dont enjoy contempory classical music of the type mentioned in the article are extremely intelligent and often musically very advanced. Personally I love noise and very experimental music - but I think there is a definate case of "the emporers new clothes" going on in the contemporary classical and modenr art world. Some would say that a lot of contemporary classical music is a language that many people simply do not speak. Personally I remain skeptical. I have an experiment which may suck a lot of the nonsense away - I am biding my time. I will keep you poted. |
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